J Events: One Hell of a Nite Tour at Jiffy Lube Live

chrisbrownofficial-one-hell-of-a-nite-tour
Courtesy of @ChrisBrownOfficial.

Before the summer came to an end, I had to go to one last concert at Jiffy Lube Live. I have yet to see the second coming of Chris Brown (post-Rihannagate), and though I have tried to wait out what has turned into a (very, very) very long phase, my curiousity got the best of me. With all the turmoil and drama surrounding his personal life, could Chris still shut down a stage?

The Good: Chris performs his whole catalog; like the entire thing. He takes you back to the very beginning  — for many of us where the love affair first started — as if he knows he has to “get that old thing back.” Just as you give into your deep-rooted nostalgia * insert googly eyes* he races toward the present with hits like “Deuces” and “Strip.” From there it’s hit. After hit. After hit.

He didn’t do nearly as much choreography as I’d hoped, but when he did he SLAYED. My favorite moment was his dance break to “Hit the Quan,” everybody was out of their seats!

The Bad: Though I tried to go into the concert as objectively as possible (focusing solely on the music), as an entertainment critic, you can’t help but see the major effects his personal choices have had on his day job. The drinking and drugs have affected his range and it was odd to see him have so many stationary moments behind the mic, especially when he often curtailed any vocal acrobatics.  It didn’t feel intentional, but necessary for him to keep up with the pace of the show.

There’s no mistaking it — Chris is the greatest entertainer of our generation. His natural born abilities are unparalleled; and yet, he is still not ready to take on the full weight of that role — he just isn’t there yet.

 This tour is not Chris at his best, but if you’re simply looking for a fun summer night with friends you definitely get it with the One Hell of a Nite Tour.

J Events: Concert Review of Nicki Minaj’s Pinkprint Tour

The-Pink-Print-Tour-Nicki-Minaj-Meek-Mill-Review
Courtesy of @nickiminaj.

When The New York Times published their review of The Pinkprint Tour, I was surprised by what appeared to be the article’s general sentiment:

Review: @NICKIMINAJ is at the helm of the best hip-hop tour lineup of the year http://t.co/d6Hqhze9T9 pic.twitter.com/m24VUqTfKB

— The New York Times (@nytimes) July 28, 2015

I’m glad I took the time to read the article, however, because it was a bit more nuanced than the headline would let on. I’ve pulled a few pieces of “subtle shade” from the article that really get at the truth of the matter:

What the NY Times said: In total, the lineup reflected Ms. Minaj’s many parts — tough, sultry, exuberant, colorful, exaggerated. In her own herky-jerky set, though, she was toggling among approaches: street-wise songs, saccharine pop hits, collaborations, collisions of all these. Ms. Minaj’s catalog is so varied, she has colonized so much turf in so many spaces, that unifying it under one umbrella is a challenge. (nytimes.com)

What they meant: Her set was all over the place. There was no real storyline or theme, which is ok I guess, but there was also no real flow. She would jumped from slow to fast, pop to mixtape content, old material to new. It didn’t feel spontaneous, it was just confusing. 

What the NY Times said: Often she’s rapping through a grin, striking a pose for the camera, but when she lets the facade down and focuses on the shape and pace of her words, she’s a bulldozer. (nytimes.com)

What they meant: She spent too much time “being cute” and not enough time really diving into the material of her songs. Nicki is know for her many personalities and characters, but she never gave you the full scope on any record she performed, only a taste. I don’t want to see you smiling and giggling during “Lookin’ ***.” Sorry, but no. 

What the NY Times said:Meek Mill sped through several of his blustery hits — a minute of one, then another, like a one-sided mixed-martial-arts bout. (nytimes.com)

What they meant: I had no idea Meek was going to perform in between Nicki’s sets, an interesting choice. They took far too much time transitioning between their sets and his first appearance was rather short.

When Meek finally came out he definitely brought the energy up, but he choose to speed through his hits and spent more time on songs that only hardcore fans would know, a mistake in my opinion. 

I know it seems I am being super critical of Nicki, but it’s only because I know she can come 10x harder than she did with this tour and the production and overall flow can definitely improve. [For example, I would estimate she spends at least 15-20% of the show trying to make it up and down her set stairs. Either she needs to put on some flats, or take some lessons from Bey, but girl, get it together.] She has the catalog, her stage presence continues to improved, and as a more established artist she has the budget to pull together a great performance, not just mediocre. I guess we shall see what the future holds, until next time.