J Events: Concert Review of Nicki Minaj’s Pinkprint Tour

The-Pink-Print-Tour-Nicki-Minaj-Meek-Mill-Review
Courtesy of @nickiminaj.

When The New York Times published their review of The Pinkprint Tour, I was surprised by what appeared to be the article’s general sentiment:

Review: @NICKIMINAJ is at the helm of the best hip-hop tour lineup of the year http://t.co/d6Hqhze9T9 pic.twitter.com/m24VUqTfKB

— The New York Times (@nytimes) July 28, 2015

I’m glad I took the time to read the article, however, because it was a bit more nuanced than the headline would let on. I’ve pulled a few pieces of “subtle shade” from the article that really get at the truth of the matter:

What the NY Times said: In total, the lineup reflected Ms. Minaj’s many parts — tough, sultry, exuberant, colorful, exaggerated. In her own herky-jerky set, though, she was toggling among approaches: street-wise songs, saccharine pop hits, collaborations, collisions of all these. Ms. Minaj’s catalog is so varied, she has colonized so much turf in so many spaces, that unifying it under one umbrella is a challenge. (nytimes.com)

What they meant: Her set was all over the place. There was no real storyline or theme, which is ok I guess, but there was also no real flow. She would jumped from slow to fast, pop to mixtape content, old material to new. It didn’t feel spontaneous, it was just confusing. 

What the NY Times said: Often she’s rapping through a grin, striking a pose for the camera, but when she lets the facade down and focuses on the shape and pace of her words, she’s a bulldozer. (nytimes.com)

What they meant: She spent too much time “being cute” and not enough time really diving into the material of her songs. Nicki is know for her many personalities and characters, but she never gave you the full scope on any record she performed, only a taste. I don’t want to see you smiling and giggling during “Lookin’ ***.” Sorry, but no. 

What the NY Times said:Meek Mill sped through several of his blustery hits — a minute of one, then another, like a one-sided mixed-martial-arts bout. (nytimes.com)

What they meant: I had no idea Meek was going to perform in between Nicki’s sets, an interesting choice. They took far too much time transitioning between their sets and his first appearance was rather short.

When Meek finally came out he definitely brought the energy up, but he choose to speed through his hits and spent more time on songs that only hardcore fans would know, a mistake in my opinion. 

I know it seems I am being super critical of Nicki, but it’s only because I know she can come 10x harder than she did with this tour and the production and overall flow can definitely improve. [For example, I would estimate she spends at least 15-20% of the show trying to make it up and down her set stairs. Either she needs to put on some flats, or take some lessons from Bey, but girl, get it together.] She has the catalog, her stage presence continues to improved, and as a more established artist she has the budget to pull together a great performance, not just mediocre. I guess we shall see what the future holds, until next time.

J Thoughts: If I Had to Hear a Song 100x…

Every day, I drive an hour and a half to work. And when the work day ends, I drive an hour and a half home.

And every day, I hear the same 10-15 songs on the radio. Over. And over. And over, again.

It’s unclear how radio expects to maintain an audience with such rigid playlist parameters, but I’ll save my top 5 questions I’ve always wanted to ask a program director for another day.

The three songs I never want to hear again, and the ones I would replace them with:

The Worst – Jhené Aiko

Jhené Aiko - The Worst

Initially I was happy to hear an R&B song in heavy rotation, even if it’s one of my least favorite by Jhené Aiko. After replay 2,567 though, I’ve had enough. #theworst

Na Na – Trey Songz

Trey-Songz-NaNa-Bella-Twins

It was tolerable at first. Catchy. Yet and still, so basic. And intolerable after 7 months. Next.

Loyal – Chris Brown Ft. Lil’ Wayne

Chris Brown - "Loyal" Video

Who didn’t love “Loyal” when it was first released? Questionable lyrics aside, it’s uptempo, has an infectious beat and (what feels like) fun wordplay. Even with Chris behind bars during the promotion period  (-___-), the song took on a life of its own. But now that I’ve had AMPLE opportunity to learn and relearn all the words, I mostly cringe when I hear it. *raises hand* Not loyal.

New Flame – Chris Brown Ft. Usher, Rick Ross

While we wait on the new Chris Brown x Drake, “New Flame” can certainly hold us over. Yes, Chris can rap and “sing-talk,” but I love the songs where he is full-out crooning, he has such a wholesome sound, sighs. (Don’t ask me what he’s really saying though.)

The track gets a huge boost from the original heartbreak, Usher. I could do without Rick Ross, but you can’t win ’em all.

Dumb – Jazmine Sullivan Ft. Meek Mill

Jazmine Sullivan fans have been waiting 3 years for new music, so when I woke up to the world premiere of “Dumb” on the Breakfast Club last month, I was too hype. It has a nice groove, the obligatory rap feature — play my girl Jazzy!!

Love Never Felt So Good – Michael Jackson, Justin Timberlake

I don’t care what genre the song  falls into by industry standards, it makes you feel good, plain and simple. Everyone should be playing it.  (Not that I agree with the decision to release posthumous projects, but that’s neither here nor there…)

Honorable Mentions *Drake voice* 

Good Kisser  – Usher

Maybe – Teyana Taylor Ft. Yo Gotti, Pusha T

My Girl – Diggy Ft. Trevor Jackson